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Loudness and -23 LUFS - VI-CONTROL
WEBFeb 6, 2014 · Maybe -23 isn't the final solution, but I love that it's being discussed. The -23lufs has been embraced by first party game publishers like Sony and Microsoft. Games published by Sony are now measured for lufs over 30 minutes of gameplay to hit -23lufs +/-2LU and a -1 peak threshold.
Vi-control.netSolo Piano mastering LUFS - VI-CONTROL
WEBAug 11, 2020 · 1. set the basic volume at the right level. Your "mythical -14lufs" is not correctly implemented. It's not that every piece of music has an average volume of -14 lufs all the time. NO! You have to apply this so that (only) the fortissimo parts have -14dB lufs. It doesn't matter what the total volume is then.
Vi-control.netMastering LUFS for YouTube - VI-CONTROL
WEBMay 4, 2023 · Here's how I made a music vid. I mastered the lufs to around 11.5db, then put file in iMovie, added the visuals, and uploaded. (If I right click in YouTube on file, under "stats for nerds" it shows how much it cut it. For whatever reason it showed 1.7) I can see in iMovie I could technically increase the db by pulling up the threshold line a bit.
Vi-control.netLogic says -14 LUFS but Loudness Penalty is quiet - VI-CONTROL
WEBJan 9, 2021. #1. I'm scratching my head here. I'm running Logic pro's Loudness Meter plugin after I use Ozone 8 to get it up to -14 lufs. The meter is showing -14lufs but when I bounce the track, it plays quiet on my mac finder playback and even when I check it using loudnesspenalty.com. It's even showing Spotify add +2db. I'm really confused why.
Vi-control.netLUFS confusion - VI-CONTROL
WEBOct 30, 2020 · the confusion here stems from the fact that there is a difference between peak volume and lufs. peak volume is the absolute maximum volume a mix / track reaches at a moment in time, while lufs is basically an average of volume over a time period. the latter is actually how our ears perceive loudness, so that's why it's in a way more …
Vi-control.netStandard Lufs levels for Orchestral/cinematic music - VI-CONTROL
WEBClueless nitwit. Dec 5, 2023. #3. Xabierus Music said: Hi, i was wondering what standard levels do you reach when you are mastering your orchestral/cinematic tracks (music only not for screen/tv) I did some research and use the standard of: Short Term: -12 lufs to -9 lufs. Integrated: -14 lufs. True Peak: -1db.
Vi-control.netQuestions on normalizing volume for solo piano album. - VI …
WEBJun 25, 2020 · The lufs system is about measuring loudness perception for an entire performance, whether the performance is an entire film or an entire track of music. There are no lufs "rules" about momentary loudness, which is why it's OK to have big explosions in movies. The issue is integrated loudness, or the overall loudness of your audio.
Vi-control.netLoudness and LUFS - VI-CONTROL
WEBMay 18, 2020 · Thanks John. This is a really interesting article and I recently tested a video with a mix on You Tube (unlisted) and man, I couldn't believe how destroyed the audio was. Shocking. Reminded me of how bad Soundcloud and Bandcamp utterly crucified any upload no matter what format before it gets re-encoded. Going to start playing around with -13 …
Vi-control.netWhat's the advantage of mastering to -9 or lower over let's say
WEBAug 17, 2023 · An integrated lufs of -7 means the short term loudness (essentially RMS) will hover between -7 and -4 per song in the loudest sections, with the absolute loudest moments often being closer to -5 or -4 lufs. This is only the top 10 of the top 100, it's not even a complete list.
Vi-control.netWhat's the advantage of mastering to -9 or lower over let's say
WEBAug 17, 2023 · Integrated lufs depend on the track and the arrangement. I know that some of these metal tracks sound punchy as hell at about -6 short term, if the track is fairly steady it could be -7 integrated. I definitely agree that there's some personal preference mixed into this, but personall if something just has no dynamic variation it gets very tiring …
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